To seek the truth of nature and God, and to achieve the greatest of gunas called Satva guna, music alone is the key. Only music is the path that leads to the state of advaita and the state of immmortality. SudhAlApa swargamu = the heaven where song (alapana) is the ambrosia MrutiyalEni = that has no death / that never perishes RAgarAja nilayamai = as the abode to the king of musicīhakti yOga mArgamu = the path of devotion TyAgarAja hrudayamai = as heart and intent of saint tyagaraja SangeetamE prANamu = music alone is the life Satva sAdhanaku = to achieve the satva guna (best one of the 3 gunas - satva, rajas, tamas) GAname sOpAnamu = only music is the staricase (path) MRtiyalEni sudhAlApa swargamu SankarAbharaNamuĪdvaita siddhiki = to attain the state of advaitaĪmaratva labdhiki = to gain the immortality Satva saadhanaku satya Sodhanaku sangeetamE praaNamu This SankarAbharaNam rAgam is the mantram from sAma vedam that's soaked in the fountain of emotion, cherished by the connoisseurs/experts of music and has blossomed.ĥ. SAma vEda mantramu = the verse of the fourth veda called saama veda Rasa gangalO = in the great river of "rasa" (emotion or sentiment) Pallavinchu sAma vEda matramu SankarAbharaNamu Rasikula kanurAgamai rasa gangalO taanamai This SankarAbharaNam is the song of Sravana month that's filled with the fine shades of notes from Narada rushi's Mahati veena and the sounds from clouds. This SankarAbharaNam is like the ecstatic Sarad ritu night that's filled with the moonlight called the song from Goddess Saraswati's veena. SrAvaNa geetamu = the song of SrAvaNa month (Aani maasam that's characterized by rains) Gamakita = filled with the nuances of notes (gamakas) Mahatee ninAda = the sound coming from the instrument called mahati SArada rAtramu = the night of Sarad Ritu (the season that follows rainy season, known for its moonlit nights) SArada veeNA rAga = the song of Goddess Saraswati's instrument NArada neerada mahatee ninAda gamakita SrAvaNa geetamu SArada veeNA rAga chandrikA pulakita SArada rAtramu This is the adornment that embraced Shiva's neck and Lord Srihari's feet.ģ. This SankarAbharaNamu is the shining jewel in the garland of gems called ragas. RAga ratna mAlika taraLamu SankarAbharaNamu Sankara gaLa nigaLamu Sreehari pada kamalamu
The song that harnesses the power of the celestial sound Omkaaram is the one and only "SankarAbharaNam" SankarAbharaNamu = the rAga called SankarAbharaNamu (the jewel of Shiva) Om kAra nAda = the celestial sound called OmĪnusandhAnamou = that applies / harnesses OmkAra nAdAnu sandhAnamou gAnamE SankarAbharaNamu If you would like to set your computer up to display Telugu Unicode, please see help here
#SANKARABHARANAM SONG LYRICS PDF#
If your computer does not display Telugu script, please read and enjoy the pdf version. In this issue, we present the first two songs The last three songs Maanasa Sancharare, Brochevaarevarura and Dorakuna Ituvanti Seva will be presented in the next issue. With the help of Ms.Brij Baala, we bring you the following translations of the songs. Unfortunately, they might remain inaccessible even to many Telugu speaking people, especially the younger ones today. Veturi Sundararaamamurthy's lyrics add a whole new dimension of depth to the remarkable songs in this movie. The film spawned a whole genre: Bapu's Thyagayya(1981), Dasari Narayana Rao's Megha Sandesam (1982), Singeetam Srinivasa Rao's 'Sangeeta Samrat (1984), Vams's Sitara (1984), and Viswanath's own sequel Sagara Sangamam (1983) and Swathi Muthyam (1985). Also remarkable is the fact that S.P.Balasubramanyam flawlessly rendered all the songs with no previous classical training or experience.
#SANKARABHARANAM SONG LYRICS MOVIE#
Proudly identifying with the grand Karnatic musical tradition of the Telugus, the movie introduced classical music to the mass audiences and went on to become a runaway success. Vishwanath's musical hit, Sankarabharanam (The Jewel of Shiva), is often presented as the film that transformed the Telugu film industry in 1980s.
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